🎦 The Good, the Bad and the Ugly full movie HD download (Sergio Leone) - Action, Adventure, Western. 🎬
The Good, the Bad and the Ugly
Year:
1966
Country:
USA, Italy, Spain, West Germany
Genre:
Action, Adventure, Western
IMDB rating:
8.9
Director:
Sergio Leone
Eli Wallach as Tuco
Lee Van Cleef as Sentenza
Aldo Giuffrè as Alcoholic Union Captain
Luigi Pistilli as Father Pablo Ramirez
Enzo Petito as Storekeeper
Claudio Scarchilli as Mexican peon
John Bartha as Sheriff (as John Bartho)
Antonio Casale as Jackson / Bill Carson
Sandro Scarchilli as Mexican peon
Benito Stefanelli as Member of Angel Eyes' Gang
Angelo Novi as Monk
Storyline: Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...
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Reviews
Timeless
Varying opinions on this film posted, but for me its a top quality, ground breaking film that is timeless. This is the ultimate test of a great film. It stands up with any modern classic, it has humour, twists, stylised violence, and its just a top film.It wasn't the first spaghetti western i know, but i think its by far the best. I just wish they had done a sequel to this. Some how i don't think Tuco was a man to take this lying down .... or hanging around.

"Hey, Blond ... You know what you are? Just a dirty son of a-bi ....."

Tuco now had all the money he could wish for, but no one double crosses Tuco and lives . . .
2008-01-16
My review is superfluous...
... but i still want to jostle in with more than half of a thousand other reviews just to type: this is undoubtedly THE best Western movie ever and easily one of the best masterpieces of all time. Even the most noble adjectives preserved particularly for art praising found in Merriam- Webster are too mundane to captivate its greatness.

Please watch this classic before you die.

R.I.P Leone and thank you for blessing your fellow humans such a great gift.

P.S: Eli Wallach + Lee Van Cleef + Clint Eastwood = the most bad-ass narrow- eyes gang in Hollywood.
2010-07-17
Eastwood's iconic anti-hero
There's not a lot to say about this one that hasn't been said. You have to enjoy the sweeping, desolate Spanish vistas. And, as it has been pointed out as a plot hole, it is an interesting technique that what ever is out of the frame, is unnoticed by the characters, such as Angel Eyes making it all the way to the Stanton grave without being noticed approaching (on horseback) over open land. I found it distracting the way many characters spoke in Spanish or Italian and were dubbed into English. I have always disliked dubbed movies and preferred subtitles, but this one was odd, with some characters speaking English, and some not. It must have made for interesting rehearsals and filming. I would have to agree with others that Eli Wallach largely stole the show. And does anyone know if Lee Van Cleef really was short part of his right middle finger, or did they splice in someone else's hand for that shootout scene?
2008-02-18
Who are you calling ugly?
In the last of the so-called 'Dollars' trilogy Eastwood now plays a man called Blondie (despite clearly having brown hair) who has hooked up with Tuco, a bandit with an amusingly long list of crimes, to run a reward-and-release scam with various towns and cities across the Old West. Soon tiring of Tuco's behavior, Blondie ends their volatile partnership and heads off on his own.

Angered by the double-cross, Tuco exacts a laborious revenge on Blondie, but just as the punishment reaches its zenith under a burning hot sun in a remote part of the desert a wagon carrying dead Confederate soldiers interrupts. With his last breath, the sole surviving Rebel tells Tuco of a stash of treasure buried in a cemetery, and, while Tuco is distracted, tells Blondie what grave it is buried under. Their difficult partnership is quickly restored as they trek across the West, through Civil War conflicts, towards the treasure.

So far I've only covered the Good and Ugly. The Bad just so happens to be Angel Eyes (Lee Van Cleef), a ruthless mercenary who has also learned of the hidden loot and eventually crosses paths with his rivals. He has the least screen time, but is necessary as a pure villain to lessen the crude vulgarity of Tuco.

It's a long film. But it's not about the destination, it's about the journey, and Sergio Leone allows himself plenty of time and space to indulge in quirky idiosyncrasies. I especially like Tuco having a bubble bath in the midst of his current location being blown to smithereens.

Villains always interest me, and actors mostly choose villains over heroes as they make for better characters. Blondie may comfort dying soldiers and play with kittens, but he's just too bland. Angel Eyes, is hardcore, and a better character, but he's nothing compared to Tuco. Eli Wallach owns this film, and takes most of the screen time away from Eastwood and Van Cleef. The scene where he searches the cemetery, as the camera spins around and around and around has such a beautiful innocence to it. Even though Tuco may have killed and robbed many this scene makes him seem like an easily excitable child at heart. It's absolutely wonderful.

If you've got an evening free, and just don't know how to spend 3 otherwise empty hours, The Good, the Bad, and the Ugly is a fine way to spend them.
2012-01-23
The most influential western ever.
By far the most ambitious and unflinchingly graphic western ever mounted, THE GOOD THE BAD AND THE UGLY is an engrossing, explosive movie shot through with a volatile mix of myth and realism.

Clint Eastwood returns as the invincible 'man with no name' or 'blondie'. This time teaming with two gunlingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn't come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused - and stay alive - in a country ravaged by war. Forging a vibrant yet detached style of action that had not been seen before, and has never been matched since, THE GOOD THE BAD AND THE UGLY.

back cover.

10/10
2007-06-16
One of the greatest films ever made!
And Sergio Leone had to show Hollywood how a western should be done. Earthy, gritty, moody, rambling, funny and just plain nasty too. One thing most people forget about the Sergio Leone Dollar trilogy films is that they were made when westerns were really staid and boring, with zero atmosphere and very mechanical. Then came these movies, with THE GOOD, THE BAD AND THE UGLY being the last and the greatest of the three Dollar films. Cinema wasn't the same after it was released. And to show influential this film is, it transcended its "western" genre and influenced practically every type of films made after that. Heck, I'm not even a western fan and I thoroughly admire what Leone and the gang created here. It's big, bold, melancholic, lusty, giddy and operatic.

The thing I really love about THE GOOD, THE BAD AND THE UGLY is the atmosphere. It's almost one kind. Never duplicated in any other film since (and that includes Clint Eastwood's dry cowboy flicks). One major contributing factor is obviously Ennio Morricone's unforgettable score, probably one of the greatest scores ever made. The music during the ending, when Tuco searches the cemetery, it's spine tinglingly powerful.

Of the three characters, Tuco steals the show. He's the heart and soul of film. It's probably Eli Wallach's greatest performance. He immersed himself in the role and, in the processed, really became Tuco.

My only complaint about THE GOOD, THE BAD AND THE UGLY is that it is a low budget film and as expansive and epic as it is, the film sorta looks cheap. Practically everything was shot outside. There are few sets in the movie and when we are within four walls, the sets look, hmm, cheap. I just wished the production design was as expansive looking as the vision Leone had in mind. The film would have been perfect then. But that's something I can clearly overlook.

When I watch a movie like THE GOOD, THE BAD AND THE UGLY, I get depressed. Depressed because at one time films were actually amazing, groundbreaking and entertaining. The 1960s were one of the greatest era in movie-making. Sadly today's films don't even come close to the stunning creative output of that decade. They should re-release THE GOOD, THE BAD AND THE UGLY on the big screen. It's a classic film.
2007-01-10
Sergio Leone's most visionary film...
Sergio Leone is arguably the most visionary director of all time. They say that before he even had a written script he could picture exactly what was to be on screen and the camera's direction in leading his characters. It was Sergio's World - an alternate place in an alternate time that he was free to control. He controlled the audience and his story like no other director.

To me, his best film was the one that was on many critics' ten worst films of 1984 list: "Once Upon a Time in America." I love the finished director's cut, the cut of the film Sergio Leone himself wanted and pictured in his mind while filming the movie. Unfortunately, the editor of the film cut everything into a two-hour picture and messed up the timeline for the theatrical release in 1984 - the result was a disastrous motion picture that now, with the director's cut, stands as one of the best of all time. James Woods once said that one of the critics who named it the worst film of 1984 later named it the best film of the decade.

"Once Upon a Time in America" was Sergio's dream project, one that took him ten years to get on the big screen and ultimately killed him by sucking the life out of him, but "The Good, the Bad and the Ugly" (1967) was undoubtably his most visual film. The extreme close-ups, the great way he lets the audience see nothing but what he wants - as far as he saw it, the audience should not wonder what is off-screen; whatever is within the frames is all there is. Compared to "Once Upon a Time" it seems a bit more corny and unrealistic - but it is a spaghetti western, and that is simply the point. It stands above the rest as the best spaghetti western of them all.

Leone is best remembered for his extreme close-ups. Director Quentin Tarantino once said, among many other things about Leone, his role model, that when he started out he knew not many camera directions, so when he wanted an extreme close-up in a film he'd shout, "I want a Sergio Leone on this guy!" Quentin Tarantino has such a respect for Leone that he even suggested the title "Once Upon a Time in Mexico" to director Robert Rodriguez, the title, of course, a derivation on "Once Upon a Time in the West" and "Once Upon a Time in America," both films of Sergio Leone.

"The Good, the Bad and the Ugly," a.k.a. "Buono, il bruto, il cattivo, il," is the final film in the Dollars Trilogy - "A Fistful of Dollars," "For a Few Dollars More," and, of course, "The Good, the Bad and the Ugly." I have yet to see this film's predecessors, but I doubt they are much better than this film. It isn't really about anything per se - it's a showcase of art and camera techniques. It is a showcase for Sergio Leone and a great one at that. I have no real care about the themes or outcomes - I simply enjoy being controlled by a masterful director such as Leone. When there's a director who can literally push in and give the audience specifically what he wants them to see, without the audience feeling cheated, you know you have a great director, because there's a fine line between a selfish director and a visionary director. Leone has a bit of both, so indistinct that it is hard to notice. The same thing was done in Carol Reed's "The Third Man" (1949), and the same is done here. And it is pulled off without any objections from the audience.

Clint Eastwood is The Good - he rides around the desert kidnapping criminals, giving them to the authorities and claiming reward money, and then freeing the criminals before they are to be hanged. He meets Tuco (Eli Wallach), a.k.a. The Ugly, and does his routine - but The Ugly fights back and, ultimately, kidnaps good ol' Clint, taking him into the desert and practically torturing him in the heat.

Then The Good overhears where a stash of gold is hidden from a dying man. The Ugly wants the gold so much that he nurses The Good back to health so that they can go off on a wild goose chase and search for the treasure. But there is already another man searching for the treasure - Angel Eyes, a.k.a. The Bad (Lee Van Cleef), a man whose skills at gunfighting match those of The Good, a true marksman if ever there was such a thing.

There's a terrific scene towards the end of "The Good, the Bad and the Ugly," where three men have found the gold buried in a graveyard. At exactly the same time. They each have guns pointed at each other. They could all pull their triggers and die, or kill one of the three and the two could then take the money and split it. Leone zooms in with his extreme close-ups and truly gives the audience a sense of paranoia, a sense of what it would feel like in a circumstance such as that. Sergio Leone is a great director, perhaps the most visionary of all time, and now that his films are turning up again with their intended running times, the realization strikes and sinks in.

He's an even better director than we thought he was.

5/5 stars -

John Ulmer
2003-10-03
We all know this is great, but here's my 2 cents..
Well first off, having seen so many films, I'm not sure why I waited so long to watch this but I'm glad I finally did, and you should too! It's unbelievably clear to me now where Tarantino borrowed his camera shots and editing techniques from in the likes of KIll Bill and Inglorious Basterds! (I knew about Morricone)

The film was years ahead of its time, but I have two gripes with this movie that stopped me from giving it the full 10/10.

1: The dubbing- All the foreign actors acted their roles in their native tongues which were dubbed over afterwards. It was quite noticeable and threw me off a bit, I'd much rather a foreign film with subtitles than dubbing any day.

2: A tad too long. I do feel the running time could have been shaved byt 20 mins.

Having said all that, it's a great film! Ennio Morricone's soundtrack is outstanding and the ending is spectacular.

Overall opinion: Milestone!

Other films from the time I rated 9/10: Cool Hand Luke. Bicycle Thieves. The Italian Job
2015-05-14
A revolutionary and exciting Spaghetti Western
This is a bemusing, violent and stylish Western, it's the best Sergio Leone . The film takes part of ¨the man without name¨ trilogy united to ¨For a fistful dollars¨, and ¨ A few dollars more¨.

The movie centers about the ugly (Eli Wallach) , the bad (Lee Van Cleef) and the good (Clint Eastwood) in search for a Confederate treasure buried on a cemetery whose tracks have got the three enemies and is set during American Civil War.

It's too much violent but is neither tiring, nor boring, but entertaining. The film mingles noisy action , impressive battles, shootouts, violence with strong tortures, tongue in cheek, satire and a little bit of humor.

The final showdown between the three contenders is breathtaking.

In spite of the fact the runtime is overlong , nevertheless isn't dull . Direction by Sergio Leone is magnificent. Ennio Morricone musical score is extraordinary , the soundtrack has been imitated and copied by thousand occasions. Morricone's iconic theme music was designed in places to mimic the sound of a howling coyote . Production design by Carlo Simi and cinematography by Tonino Delli Colli is riveting . Shot in the deserts and landscapes of Spain : Burgos and Almeria , with 1,500 Spanish soldiers as extras .

Eli Wallach is very well , as he steals the show , he interprets a humorous and greedy murderous thief , Lee Van Cleef plays a villain and ominous killer and Clint Eastwood makes a dirty and wry 'man without name'.

This quintaessential 'Spaguetti' originated great influence of wide range in Western . It was such a good picture that had a great success. Followed by ¨ Once upon a time in West¨and ¨Duck you sucker¨.

Rating: very nice, above average 8'5/10
2004-07-19
The best movie ever made
Sergio Leone's massive epic is one of my favorite films, pitting a manic Eli Wallach as Tuco against an autistic Clint Eastwood (Leone: Eastwood has two acting emotions, with hat on and hat off). Lee Van Cleef hovers around the the center of the film menacing everyone, although his performance fades between the tension of Wallach and Eastwood. Ostensibly a story about the search for buried gold, GBU undercuts its exploitative surface by giving us almost Beckett-like relationship between a man that is wanted for murder and his partner who turns him in for the reward and then shoots the rope off his neck, a droll comment on human existence if there ever was one. Other existential moments occur in this rich film, such as the beautiful song the confederate prisoners sing while Angel-Eyes tortures Tuco, and the essay on the nature of the futility and pointless brutality of war appears when Tuco and Blondie witness a battle on a bridge they must cross.

Chaotic, cynical, sentimental, violent, GBU resembles an opera more than anything. Amazingly, when this film first appeared in 1967, most critics wrote it off as one more Spaghetti Western, not seeing the fatalism, the grandeur, and the comedy of this world classic. How could you watch a film with a score like Morricone's finest and not be impressed? Don't mistake this film for realism and criticize it on that basis, as some reviewers have done. This is not a documentary-style Western (for that see McCabe & Mrs. Miller), but a Romance, based more in the imagination, more in symbolism, bowing to the classical westerns stereotypes and clichés.

11/10
2010-07-04
📹 The Good, the Bad and the Ugly full movie HD download 1966 - Eli Wallach, Clint Eastwood, Lee Van Cleef, Aldo Giuffrè, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli, John Bartha, Livio Lorenzon, Antonio Casale, Sandro Scarchilli, Benito Stefanelli, Angelo Novi, Antonio Casas - USA, Italy, Spain, West Germany. 📀
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